This sort of calculation is risky, because apart from being imprecise, we are uncertain of film rental terms, as well as what remaining streaming revenues exist for the film compared to what the total might have been for a pre-Covid release strategy. Their return for this will be far higher a share than that from theaters, possibly equivalent to a $600 million or higher box office total. One core element of course is the initial theater play elevating them.ĭisney, as part of its counterattack on Scarlett Johansson’s claims of contract violation and alleged potential loss of pay, revealed new results for “Black Widow.” Along with its $370 million box office take so far, it says the film has taken in an additional $125 million in streaming revenue. Only they know the exact numbers, but it appears the public - and possibly not always overlapping segments - respond at different times to recent releases. But increasingly it appears that within VOD releases, there are two distinct release patterns, each possibly returning revenue to studios (who retain a higher percentage from VOD than theaters pay in film rentals). Only chart positions are available to us, not volume of purchases. Halloween Proves a Treat for VOD but Tricky for TheatersĮmmy Predictions: Best Actress in a Comedy Series - The Smart Money's on Smart 'Free Guy' Tops VOD Charts One Last Time as Two Eastwoods Debut “A Quiet Place Part II” (Paramount/$4.99), “F9” (Universal/$19.99), “Black Widow” (Disney/$29.99), and “Wrath of Man” (United Artists/$6.99) complete the list of titles that placed on all of the charts.
Eight films made all three, with “The Hitman’s Wife’s Bodyguard” (Lionsgate/$6.99) #1 on two.
0 kommentar(er)
